Humorous Fatherhood Book “Everything Ever After: Confessions of a Family Man” by Popular Columnist Launches Tour June 14

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Muse Harbor Publishing launches the book tour for “Everything Ever After: Confessions of a Family Man”, based on Michael Picarella’s Southern CA-based syndicated family columns at the Conejo Valley Botanic Garden’s Kids’ Adventure Garden, at 400 West Gainsborough in Thousand Oaks, CA on 6/14 from 3- 6 p.m. and on July 8, 2014 at Mrs. Figs’ Bookworm at 93 East Daily Drive in Camarillo from 5-7 p.m.

Los Angeles, CA (PRWEB) June 11, 2014

On Saturday, June 14, 2014, Muse Harbor Publishing will host a family fun event to launch their new illustrated humor book, Everything Ever After: Confessions of a Family Man by popular columnist Michael Picarella, at Conejo Valley Botanic Garden’s Kids’ Adventure Garden at 400 West Gainsborough Road, Thousand Oaks, CA, from 3-6 p.m. This is a special Saturday public opening of the Kids’ Adventure Garden, which is normally only open on Sundays.

Picarella offers witty and often laugh-aloud funny stories about marriage, fatherhood, family and suburban community life in his book. Recently coined a “User Manual for Dads” it is being promoted by Muse Harbor as “a great Father’s Day gift.”

Picarella will entertain attendees with hilarious and poignant fatherhood excerpts from his book at 4:00 p.m. The author will sign copies as his publisher provides food and refreshments to the public from 3-6 p.m.

The next stop on the author’s book tour is on Tuesday, July 8, 2014, where Picarella will be appearing at another fun book signing event at Mrs. Figs’ Bookworm at 93 East Daily Drive in Camarillo from 5-7 p.m. Visit mrsfigs.com.

Author Picarella (aka Suburb Man) is an award-winning writer and National Society of Newspaper Columnists member. Since 2006, he has written his column “Family Men Don’t Wear Name Brands,” for The Acorn Newspapers in Los Angeles and Ventura Counties. His other column, “Picarella Family Report” for The Signal Newspaper for over two years.

Picarella’s refreshingly clean humor stands out from other humorists in an age where families are often depicted as wisecracking and argumentative. Writer/Director Gregory Poppin (ESPY Show Awards, My Crazy Life) says, “Michael’s sharp wit collides with the stark reality of trying to be a Cosby husband and father in a ‘Pulp Fiction’ world. I read about his misadventures with pity, until I realized, oh… that’s my life, too.”

Everything Ever After is also available online on museharbor.com on June 10, 2014. Muse Harbor is offering a 15% discount on both print and e-book copies when purchased at MuseHarbor.com using this coupon code: ACORN. The book is also available on Amazon, BarnesAndNoble.com and iTunes.

To read stories by the author, visit MichaelPicarellaColumn.com and his website MichaelPicarella.com.

Everything Ever After  is illustrated with clever cartoons by famed illustrator F.M. Hansen, whose cartoons have been published in numerous anthologies worldwide.

Picarella can be reached for further Radio, TV, Print and Online interviews by contacting Margaux (at) museharbor (dot) com. Friend Michael Picarella on Facebook for his latest humor and news.

For more information on the Conejo Valley Botanic Garden, visit www.conejogarden.org/KidsGarden.

Muse Harbor Publishing was founded in Camarillo in 2011 as an organization of “writers helping writers, in service to our readers.”

 

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Lucky Dog Books Dallas Launches YA Magical Mystery Novel Series “April, Maybe June” on 6/14

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Popular Author Shalanna Collins Debuts “April, Maybe June” Novel as Book One in the Bliss Sisters Magical Adventures Series from Muse Harbor Publishing

Dallas, Texas (PRWEB) June 09, 2014

On Saturday, June 14, 2014, Muse Harbor Publishing’s popular author of six published novels, Shalanna Collins, debuts her new Young Adult (YA) mystery novel with a magical twist, April, Maybe June, at the Lucky Dog Books launch event in Dallas, TX from 11:00 – 1:00 p.m. Lucky Dog Books is located at 10801 Garland Road (just south of 635, between Easton Road and Jupiter). Collins will sign books and discuss her path to being a professional YA author. Muse Harbor will provide food and soft drinks at no charge to the public.

Collins’ clever YA novel April, Maybe June finds homeschooled siblings April and June Bliss inadvertently sucked into their older cousin Arlene’s troubled life when the street-savvy 17-year-old disappears, then sends for their help via an inscrutable grimoire and a mesmerizing silver ring. When life turns supernaturally spooky, April and June must pull together to survive.

April, Maybe June is available on Amazon.com, BarnesAndNoble.com, iTunes and Museharbor.com in paperback and e-book versions. Muse Harbor Publishing will be offering a 15% discount. Click on museharbor.com and use coupon code: LUCKYDOG.

Collins, who also writes as Denise Weeks, has had her fiction published in several genres, including mystery, fantasy, chick lit, and romantic suspense. The author has a strong web and social media platform which can be seen on her blogs on writing for teens and other genres at shalanna.livejournal.com and shalannacollins.blogspot.com. Fans can friend her on facebook.com at Shalanna Collins Books and follow her on twitter at @shalannacollins.

Collins teaches how to be an author in today’s digital world. The author is available for radio, TV, online interviews and speaking engagements at writers conferences. If you’d like to book Shalanna Collins for your show, blog or event, please contact margaux (at) museharbor (dot) com.
For more information on the book signing at Lucky Dog Books, please visit luckydogbooks.com.

Based in Santa Barbara, CA, Muse Harbor Publishing was founded in 2011 as “writers helping writers, in service to our readers.”

 

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Perfection

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Rules-headerA blog for fiction writers and impending writers. An editor’s perspective.

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Perfection.

Ah, that elusive, manipulative, petulant little imp known as perfection. I mention the illusion of perfection in a previous post (See: Where to Start) but it bears repeating. Rule #25: Perfection in writing doesn’t exist. Stop trying to find it.

If you’re goading or flagellating or juicing yourself into writing a perfect novel, waiting for all those perfect ideas to fall—bump, bump, bump—into place, understand that you’ll discover no Holy Grail. No perfect chapter, nor page nor sentence occurs in a writer’s reality. Any word, any phrase, any idea, can be altered. Nudged. Tweaked. Deleted. As a writer, I can spend the remainder of my lonely days chasing a phantom that doesn’t exist—or I can sit down and write a story to the best of my ability. To the successful writer (or at least to a sane, successful writer), the glass is always half full. Knowing when to “leave it be” is key.

As scribes, we accept our limitations and strive for a single goal: Doing the best we can. So here’s Rule #4: Do the best you can.

Don’t think of Rule #4 as settling for meh. Rule #4 isn’t about compromising your talents, it’s about stretching your genius—taking the time and making the effort—and trusting that your next book will be a tad better than your last. Only in a world unencumbered by perfection does room for improvement exist.

I bring up the notion of perfection again because I suspect a vast number of novice writers begin a manuscript with the expectation of reaching literary nirvana, the anticipation of soon seeing themselves at #1 on NYTBSL. Somewhere around page 3 or 30 or 300, those writers begin to realize instant fame isn’t going to happen. Some give up, leaving talent and a worthy, half-finished (and perhaps nearly awesome) effort behind. Pity.

Interesting mathematical statistic: 99.9% of all writers never make the New York Times Best Seller List. Many of them still find a way to live happy, fulfilling lives. Some even have cats.

I’m personally aware of several writers—and very good writers—who’ve been slowly chipping away at the same novel for years. Why? Some of us are seeking perfection, and not finding it, or maybe we’re simply seeking “good enough” and not finding that, either. (Occasionally we’re simply methodical writers—and that‘s a damn good excuse. A word of advice: Write at your own pace. Writing a novel isn’t a race, it’s an achievement.)

However…! Seeking perfection (and not finding it) is an entirely different dilemma. Occasionally, a story isn’t good enough. One’s writing isn’t fully developed or else bumps into impossible obstacles that we find ourselves unqualified or emotionally unable to handle. Most of us have a novel (or two) that has “gotten away”…that sits unfinished in our closets or in some obscure folder on our desktop. And that’s okay too. I consider those failed attempts to be a necessary learning curve. Those manuscripts are part of the process, part of our eventual success. Let them rest in peace.

So what are a few possibilities for a stalled manuscript?

  • Seeking perfection. Right. Doesn’t exist. Refer to the above.
  • Fear of failure. Understandable. Although… d’ju know what’s worse? Thinking you might have the gift, but not even trying. On your deathbed, trust me, that’ll be a big regret. You’ve been warned.
  • Fear of success. Although I’m not sure why. Talent deserves success.
  • Fear of the future (good or bad). As in…what if it doesn’t sell? What if it sells big, but my next book sucks? What if people begin to love me for all the wrong reasons? Or hate me for all the right reasons? What if I take a tumble heading toward the stage to collect my Pulitzer. Please refer again to Rule #100: Get Over Yourself. (In it’s own humbling way, it really should be Rule #1.)
  • Writer’s block. Yeah…a bummer, but the phrase ‘writer’s block’ is really a catch-all for various reasons not to write: An emotional, psychological or physical fatigue when words and their meaning become lost in a haze, or simply run away from your brain. You’re overtired or stressed or simply out of ideas. Don’t worry, because the empty vessel will eventually refill. But if the vacuum persists, it’s possibly something else. Eventually, it becomes an excuse (valid or otherwise). One can insist to family and friends “I have writer’s block,” for a year or two…but then we just smile politely and realize the book’s not forthcoming. (It’s OK, we still love you.) But either the book’s wrong for you, or you’re wrong for the book. And, hey, it’s not your fault. For creative folk, new ideas are always forthcoming.
    ……I wanted to be an astronaut once. Never was. Moon block. By the way, my own personal solution for writer’s block? Stepping away from the computer and watching a Firefly or True Blood marathon—and guilt-free, because self-loathing will ultimately get you nowhere!—or else reading a book I absolutely love… for the 4th or 5th time. (Recently for me: The World According to Garp, The Forever War, The Sirens of Titan and Elmore Leonard’s Cat Chaser.) When my eyes blur or my head clogs, I clean the garage or drive up the coast. I give myself permission to declare a mental-health holiday from writing. It’s part of the process. If you find that your mind’s still writhing with uncorked creativity, write a short story or work on an outline. Dream up another novel. Paint a picture. Take some photos. Often, alternate forms of creativity can replenish your writer’s drive. Give it time. That creative lust will eventually return.
  • Fear of ridicule. (Rare, but it happens.) Your friends may find you pretentious for even trying. Seriously? Find new friends.
  • Fear of offending somebody. And that somebody is usually a friend or family member, and a typically unsavory character prominently featured in your tale. Sorry, Aunt Lucy! The homicidal maniac in chapter 8 isn’t really you. Trust me, they won’t see themselves in your book. Just be sure that you change the names.
  • Fear of offending yourself. Ah, but here’s where the circle closes. We’re back to looking for perfection. Refer to Rule #25 again.

While I have no degree in shrinkology, most fiction writers are somewhat familiar with the above ambiguities. Most writers can relate. So… don’t worry, just write.
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Active Composition

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Rules-headerA blog for fiction writers and impending writers. An editor’s perspective.

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Active Writing (Part 3): Active Composition (Plotting)

To recap: I look for active writing—the life of a novel—on three distinct levels: 1. Voice. 2. Language. 3. Plot.

The late, great Elmore Leonard addressed this dilemma very well: “I try to leave out the parts that people skip.”

Simply put: Tell an exciting, engaging story. A writer divulges the highlights and skips the low points. Determining those potential chapters, scenes, paragraphs, sentences and words to exclude is no less important than what is written. Active composition is knowing the difference.

My advice (to reiterate from Simple, but Exciting): include only those ingredients that 1) build or strengthen plot development; 2) build or strengthen character development, or; 3) set the scene for the reader (where, who, when… perhaps why and how).

I shall chatter many times in this blog about the necessity of plotting… but it’s best to begin at the beginning. How does one go about preparing a good plot? It’s good to think ahead.

The most important preparation of Active Composition is this: Before you begin to write (or certainly before you write too much… as some writers approach a blank page, a fresh idea, a new novel, with blissful ignorance) is know where you’re going. Certainly before you finish your first chapter, I recommend knowing—at least intuiting—where your story will end.

Rule #14: Before you wander along too far, develop your story from A-to-Z. Meaning, formulate a solid game plan, either in your head or outlined on paper, ASAP. Be sure you have both your plot and your characters fairly well determined—with no insurmountable obstacles—from page 1 to THE END.

A hypothetical. Let’s say I want to write a novel about Lisa, a young, adopted woman with a prosthetic leg, who decides to walk from Miami to Seattle—a 3300 mile trek—to meet her birth mother for the first time.

In one sentence, I’ve outlined a credible protagonist, her intent, and the probable (or at least possible) conclusion of her ordeal. I can begin to intuit a host of conflicts and stimulating engagements along the way, an opportunity for personal growth (did I mention that Lisa’s afraid of the dark?), the chance of encountering many delightful or mischievous characters and, of course, the obligatory dramatic conclusion.

While I probably won’t know (not yet, not exactly) all of Lisa’s trials and tribulations along the way, I’m already intuiting my story ending in Seattle, with an encounter between Lisa and her mother. Will the woman be receptive? Will she be dismissive? Perhaps that element remains hazy. However, as a developing plot, I’ve mapped myself much or most of an A-to-Z game plan—a beginning to an end. I trust that I know enough about my character, and about myself as a writer, to begin my story.

It’s okay at this point that neither my protagonist nor I know what’s lurking around every corner. I may not know what specific event will transpire on page 25, or on page 250. Maybe Lisa finds true love along the way—but where? Walking through Georgia? Through Kansas? Through Oregon? Those specifics may still be whirling around my head. We need not know every detail before we embark. And even if we think we know, much will likely change as we continue the journey.

As I begin to compose the basic plot points of my novel, I’ll highlight only the highlights (and low-lights) of Lisa’s marathon walkabout that matter to a reader. It’s important to write only those situations or events that maximize drama and add relevance to your story. That’s Rule #12, by the way. I need not depict every one of the 6,508,014 steps that Lisa will endure to complete the trip—but I definitely want to mention the 2am tornado she encounters in Nebraska, the kind stranger in Tennessee, the motorcycle gang in Missouri and the moment she finds true love in Montana.

So active composition means including only the essential elements of her story, while eliminating or ignoring those parts that don’t move the plot forward. If Lisa picks up a discarded gum-wrapper on Interstate 40, outside of Rapid City—what’s the big deal? Doesn’t interest readers in the least. However, if Lisa finds a gum wrapper in Gainesville and vows to pick up every piece of rubbish she discovers along the way—that development becomes an important character trait and a plot point! As an author, I need not document every piece of trash she picks up, but show me a few unique examples… oh, and include the discarded Lottery ticket she plucks from the roadside in Buzzard Springs—that happens to be a $180 million winner. That’s probably worth a mention.

So, yeah, Rule #12: Leave out the boring parts. (Write only what matters to your story.)
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Muse Harbor Publishing Launches Young Adult Magical Mystery Novel April, Maybe June on March 20

book6Muse Harbor Publishing Launches Young Adult Magical Mystery Novel “April, Maybe June” at Left Coast Crime 2014 – Monterey March 20

Popular Author Shalanna Collins Debuts “April, Maybe June” Novel as First Book in Bliss Sisters Magical Adventures Series.

Santa Barbara, CA (PRWEB) March 18, 2014

On March 20, 2014, Muse Harbor Publishing’s author of six published novels, Shalanna Collins, debuts her new Young Adult mystery with a magical twist, April, Maybe June to crime readers and writers during the sold-out Left Coast Crime Conference in Monterey, CA.

Collins, a seasoned past conference attendee, will be joined by her publisher, Muse Harbor’s Fiction Editor, Dave Workman, to meet new and veteran crime readers and writers, sign books and promote the launch of April, Maybe June.

Pamela Dean, Author of Tam Lin, and The Secret Country, says “April is the book’s delightful narrator, both witty and unintentionally funny, one of those kids people sometimes say were ‘born old,’ but young and earnest and energetic too. She is fiercely loyal to family and takes this to its logical conclusion in a twisty magical plot full of both humor and terror.”

Workman, crime noir author of On The Rocks, was recently coined by award-winning author Matthew J Pallamary as “The New Elmore Leonard.” Workman will be speaking on a Left Coast Crime Conference panel, promoting both his and Collin’s new crime novels, as well as looking for new authors to publish under Muse Harbor’s moniker.

Collin’s clever young adult novel April, Maybe June, finds home-schooled siblings April and June Bliss inadvertently sucked into their older cousin Arlene’s troubled life when the street-savvy 17-year-old disappears, then sends for their help via an inscrutable grimoire and a mesmerizing silver ring. When life turns supernaturally spooky, April and June must pull together to survive.

April, Maybe June is available on Amazon.com and Museharbor.com. For more of Collins’ writing, visit her blogs at shalanna.livejournal.com, shalannacollins.blogspot.com, deniseweeks.blogspot.com and Friend her on facebook.com/ShalannaCollinsBooks.

Collins graduated from Southern Methodist University with a BS in Computer Science and a BA in Mathematics and has published fiction in several genres, including mystery, fantasy, chick lit, and romantic suspense. She has also published books written as Denise Weeks. “April, Maybe June” is the first book in her Bliss Sisters Magical Adventures series. When she isn’t writing fiction, Collins tutors secondary school math, works as a literacy volunteer, does research on the Internet, and noodles on the piano. She and her husband live happily in a northern suburb of Dallas.

Based in Santa Barbara, CA, Muse Harbor Publishing was founded in 2011 as “writers helping writers, in service to our readers.”

 

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